It’s humorous how one can dwell in a metropolis for therefore lengthy, keep up a correspondence with the nooks and crannies of its inventive vibrations, and nonetheless uncover fascinating tales which were residing in your doorstep for many years with out your information.
The Australian Tapestry Workshop is across the nook from my home in an unsuspecting constructing on an unremarkable road in South Melbourne, and but the work that goes on inside it’s a number of the most specialised on the earth. The tapestry makers that conduct that work are among the many most internationally recognised of their craft.
As a part of ‘Weaving Futures’ – a brand new venture made attainable by twin funding from Artistic Victoria and the Playking Basis – these weavers collaborated with 4 native artists to recreate their works as tapestries.
A photographic self-portrait of Atong Atem in theatrical blue make-up was woven by Pamela Joyce; Troy Emery’s ‘massive kangaroo urn’ was recreated by Emma Sulzer in vivid Australiana colors; Eugenia Lim’s vibrant digital collage of a 9,500 yr previous spruce tree in several kinds was realised by Tim Gresham; and Hayley Millar Baker’s melancholic black-and-white portrait was fabricated by Amy Cornall. All 4 artists acknowledge the brand new dimension their art work took on by way of the collaboration course of, and the ultimate transformation on the loom.
‘I usually make digital works that overwhelmingly keep digital,’ says Atong. ‘It was refreshing to see my work start to slowly reveal itself on this labour intensive type. It meant I noticed the portrait in a thousand new methods.’
The tapestries might be exhibited as a part of a brand new exhibition ‘Artist + Weaver: New modern tapestries’ on the Australian Tapestry Workshop from Tuesday, 1 June 2021 – COVID-19 restrictions allowing. Be taught extra concerning the Australian Tapestry Workshop right here.
These tapestries have been generously supported by Artistic Victoria and the Playking Basis.