In 2019, artist and Bidjara, Ghungalu and Garingbal man Dale Harding made a replica of Sidney Nolan’s portray ‘Panorama Carnarvon Vary Queensland’ on his studio wall after paying a go to to the positioning himself. Kooramindanji (the Carnarvon Gorge) is a web site wealthy with historic rock work, carvings and stencils that Western artists comparable to Margaret Preston, Mike Parr and Nolan had visited and represented of their work over the 20th century.
After copying the Nolan portray to his wall, Dale started fascinated by the act of non permanent entry to land, and what it means to be a neighborhood. This led him inevitably to ruminate on how a lot materials was borrowed from Indigenous artwork practices and locations to tell the Australian Modernist motion heralded by non-Indigenous artists. These questions that adopted fashioned the premise for Dale’s new exhibition, Via A Lens of Visitation, which is on now at Monash College Museum of Artwork (MUMA).
Consisting of large-scale work by Dale and cloth quilt works by his mom, famend textile artist Kate Harding, the exhibition pulls collectively supplies and methods from the pair’s ancestral nation to characterize particulars of the land and communities round Carnarvon Gorge and its surrounding plateau, which is a part of the Nice Diving Vary.
Dale’s work convey collectively supplies comparable to ochre pigments, laundry detergent, Chinese language ink and gum comprised of acacia tree sap onto panels comprised of felted wool, linen or paper, whereas sculptural items comprised of botanical resin, glass and lead are amongst his different featured works.
Interspersed amongst these painted and sculptural works are Kate’s cloth artwork, which take the type of textile wall hangings. An energetic custodian of Carnarvon Gorge, Kate has been quilting because the early 80s – drawing on conventional teachings from her Catholic college and by watching her mom and grandmother’s stitching, crocheting and embroidery practices at dwelling.
Generations of ladies on Kate’s mom’s facet have been engaged in home ‘service’, which provides a layer of settler affect to the craft. When she took up the craft in 2008, Kate started experimenting methods her quilt-making may very well be divorced from Western conventions. She makes use of ochre dyes from Nation as an alternative of prints to color her materials, and taught herself easy methods to sew miniaturised pityuri luggage she had seen at a museum utilizing conventional strategies. She then sewed these tiny pouches sporadically into her quilts.
‘These ochre dyed materials are understood as exhibiting the colors imbued with the tales of Kate’s ancestral territories,’ says Dale. From all angles, Kate’s quilts characterize the connection between dwelling, Nation and art-making.
Prior to now, Dale’s work has been centred on telling oral histories and describing acts of violence towards Australia’s First Nations folks. Now, his shifted focus is on discovering recent methods to speak ancestral data via supplies.
‘By making up to date artworks that may be learn by our households and communities on a cultural degree, there have been methods of sharing Central Queensland views with audiences all over the world,’ says Dale. ‘My curiosity is to develop familiarity and visible literacy of Central Queensland artwork types, in ways in which strengthen them into the longer term for individuals who dwell and follow them.’
‘Via A Lens of Visitation‘ is on at Monash College Museum of Artwork from 28 April – 26 June 2021.
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